Is nearing its publication completion and with that delightful process comes the always adventurous journey of choosing a great cover image. My publisher Thistledown Press didn’t disappoint me when it came to picking the cover image and I was fortunate to have a hand in gathering various images provided by Brazilian artist Virgilio Neto. As Red Curls is musing about the lives, loves and art of Egon Schiele and his mistress Valerie Neuzil, it was important to me to have a cover image that reflected art about art, a musing of muses. Neto’s work, I believe, encapsulates the desire behind creating art in a way that is reminiscent of Schiele’s work.
And: The poems, well, they’re messy and wet–they watch the audience watch them with I’s all their own.
And: Set your calendars for the Regina launch on October 8, and stay tuned for more details. As the tour builds I’ll post the dates and cities along the right.
Winter fuel. That’s what I call the few extra pounds I’ve put on this long winter. Not that this winter is any longer than any others–where I live it seems it’s winter three quarters of the time, with a bit of heat thrown in to relieve the monotony. Fuel could be food for the mind, but this winter’s been a dry cold, with not much writing and not much desire to write much of anything.
This year, like any cold-bound place, the ice will break, the dam will be free and the world will spin me around on an axis that I have no control over. What that means is that I will have a new book of poetry out this fall from Thistledown Press. I have laboured over edits with the help of Jeanette Lynes, an editor with a keen eye. The manuscript awaits the next phase of production, this process of writing for more than five years nearly over, this winter chinook blowing out the season, the work waiting like a youth for spring, that will arrive on the tails of the fuel that feeds us all. Words have a way of growing.
I feel like I should be a radio announcer: We interrupt our regular scheduled programming to bring you this latest groundbreaking news.
Only I’m interrupting about nine months of no writing on the blog.
And for my news. Something new and old–an interview with me has been posted online. I’m looking forward to next year’s launching, reading, and general conversations about this book.
And now back to our regular scheduled programming.
…on the heels of yesterday’s reposting of my last post about retreating in the wilds of Banff (this is a picture of Kim Williams, the photographer that took my picture for the Banff Centre Blog), I thought maybe I should give everyone a bit of an update. Yes, I’m still sitting in the bowels of the ship as I write this, two more days, then back in the little red car (which I might add is pretty darned dirty after highway driving through storms and snow to get here, and quite frankly who wants to stop working to drive your car to a car wash), though with a Chinook coming through I may have the sun roof open, and some new tunes blaring on the stereo. One cd I’ll be playing is from Jenny Eriksson called The Marais Project.
Some of the new music groups to check out: one is the Thin Edge New Music Collective. Cheryl Duvall, Ilana Waniuk (both based in Toronto), German accordianist Olivia Steimel and Montreal flautist/composer Solomiya Moroz are leaving Banff today and heading west to tour Vancouver and Victoria so if you live out west, check out one of their concerts. If you’re in Toronto, check out the hot new jazz band Allison Au Quartet. And there was the exciting Steinberg Duo that has been recording and premiering Philip Sawyers Violin Sonato No. 1.
Some of the other musicians I’ve met are Matty Poon from Victoria and his project Musetta Stone, Pierre Dercyz of Los Angeles, Christina Katsimbardis from Australia, andAlaistair Putt of London. Of course, I’ve met many more–and probably will continue to meet even more in the next few days.
All this music needs some words–on that note, time to write another poem.
The act of moving back, withdrawal. I’m sitting in a ship named Elsie on a mountain in the Rockies. Elsie’s a modified fishing boat (thanks to architect Richard Henriquez’s redesign and generous donation) where I’ve withdrawn from “normal” society to immerse myself in a world of the arts (retreat seems a bit of an oxymoron, as I’ve not withdrawn so much as entered a liminal (it always amuses me that the spell check doesn’t recognize the word liminal) space).
It was cold when I arrived on the tail of a storm that left winter enthusiasts extremely happy. I drove my little red car onto a parking lot behind Lloyd Hall one week ago today and have not had to get back in it since. My days are spent at the computer, my feet resting on the side bench, and I research various items and ideas for the poems. I’ve set the goal of a poem a day. So far I’ve managed to fulfill my goals.
The wind is up today, but it’s plus 3 outside, with sun and snow dropping through the trees outside my window. My studio space is secluded from campus, nestled among the evergreens, the elk, the deer, and the chickadees, and I’m grateful for the opportunity to be able to pull away from the daily activities that make it so hard to focus on the creative process. I see my fellow artists occasionally, often at lunch and dinner, and we converse about our progress. It’s inspiring to discuss how we work, and how we work in different mediums. How we proceed and how it is we do what we do. We’re making connections that may often last a lifetime. We’re reflecting daily on art in an environment that encourages and promotes artists and art.
Of course, there are distractions such as mountain hiking, hot springs, musical rehearsals and concerts, even shopping if I were to let myself be so distracted (me, shop, how absurd), but these are not so much distractions but part of the retreating process. Food for the mind. Energy for the words. It’s all part of the experience of my retreat at Banff Centre.
This is one of the great views from the house on the prairie where I recently enjoyed three weeks of writing time. While the wind howled relentlessly, I created enough work to keep me editing until I can get away again! According to the owner of the property, this little shack never used to be underwater, but with all the rain and snow of the past few years, a small slough grew behind the barn. I prefer to think of it as the drowning house.